On the Screen Again
Movie Reviews:
Kurt & Courtney
Stars: Kurt Cobain, Courtney Love
Director: Nick Broomfield
Genre: Documentary, Music
Runtime: 95 minutes
Having just seen the ultra-controversial Nick Broomfield documentary Kurt &
Courtney, I should declare my own personal biases and opinions before
actually saying anything about said documentary.
Here they are:
- Nevermind is a great album, but I have to skip over "Teen Spirit," "Come
As You Are" and the hidden track. Other than that, "Molly's Lips" and a
bootleg of Unplugged are the only other Nirvana things which I couldn't
live without.
- A friend of mine tricked me into admitting I thought Live Through This
sounded "awesome" when he made me listen to it without knowing who it was
by beforehand, and he skipped over the "hits" while playing the record.
- I think Celebrity Skin sounds like Toronto's Get It On Credit and if the
record was released by Holly Woods instead of Courtney Love, it would sell
5,000 copies and be considered a noble, though failed comeback attempt.
- The death of Kurt Cobain did not have a profound effect on me.
- When told Courtney Love would not be doing press to support the new
record (other band members, however would be), I predicted that before the
new year, Hole's record company would panic and rush a second round of
press meet-and-greets to drum up publicity, probably with Courtney
included. Coincidentally, a press conference featuring Hole's Melissa Auf
der Maur and Eric Erlandson has been announced for November 3 in Toronto
(Courtney Love will not be participating).
- Courtney Love is more vigorous in controlling her image than Madonna,
Alanis and Prince put together.
- Courtney Love is the undisputed Queen of Libel Chill.
- I'm confident I could probably take Courtney Love one-on-one. Her
bouncers are a different story however...
- The dramatist in me wants to believe Courtney Love had a hand in Kurt
Cobain's death, but there's just too many questions to make me feel as
confident as I would be if I was stating an opinion about, say, O.J.
Simpson.
- Kurt Cobain would be dead by 1998 no matter whether anybody tried to kill
him or not.
On to the film...
First off, Kurt & Courtney is a blatant assassination of Courtney Love's
character. The people who Broomfield interviews for the film (Love's father
Hank Harrison, underground musician El Duce, private investigator Tom
Grant, and various second-tier acquaintances of both Love and Cobain) have
little good to say about her, even if all they say is that they're too
scared of Courtney Love to actually say anything about her.
Some random quotes:
- "She's a harpy."
- "I don't care if you (Courtney Love) are Jesus and your lawyers are the
twelve disciples."
- "I think Courtney used Kurt from the beginning."
- "There was just way too much will (as in legal) talk... Courtney talking
about his will."
So, you get the idea of where Broomfield is heading for most of the
documentary.
While Broomfield does a good job eliciting damning quotes from the rather
motley collection of Love-haters he has assembled, it's the few
contributions Love herself makes to the documentary which do the most to
tarnish her image. Broomfield does this by setting up Love using taped
recordings of her violently threatening journalists who've dared to cross
her path (Incidentally, our tape recorders are primed and we're hoping,
really hoping Miss World will acknowledge us).
After playing for us Love's collection of absolutely venomous threats,
Broomfield then tracks down Love at an ACLU (American Civil Liberties
Union) meeting the only time he comes face-to-face with her where she
is a guest speaker. The delicious irony of Love speaking at said engagement
(a forum which supports open sharing of opinion and the upholding of
freedom of speech laws) isn't lost upon Broomfield. Broomfield engages in a
quick, weak q & a with Love at the event, then later jumps onstage at the
dinner looking to further provoke Love in front of the hundreds of
ACLU-types.
He's quickly kicked out, proving free speech in America is still alive
and well.
This ACLU scenario probably does the most to define the phenomenon which
is Kurt & Courtney the documentary. Although "Who killed Kurt?" is
Generation X's Kennedy assassination mystery, the specter of Love's pack of
litigious dogs and sinister image grafters looming over anything remotely
related to Hole/Nirvana/Kurt/Seattle/or herself is what fuels the fire of
said documentary. Throughout the film, Broomfield regularly voice-overs
segments with things like, "We want to play what X person is saying, but
British libel law won't permit us," "We want to play X Nirvana song but
Courtney Love won't let us," etc. Although Love won't talk about the
now-fabled accusations she killed Kurt, it's obvious if you cross her path
you will get the smack-down.
Broomfield's smack-down comes in the form of a telephone call where he's
informed one of his financial backers (MTV) have pulled their money out of
the project, thereby jeopardizing it. The MTV rationale? Some blithering
about having to maintain a relationship with the Hole/Nirvana camps, etc.
And that, I suspect, is what wears down Broomfield to the point where at
the end of the film he declares he doesn't believe Courtney had any part in
the death of Kurt Cobain despite setting up Love with a character
assassination so effective most people will likely come to a conclusion
contrary to that of Broomfield's.
Consequently, having gone through all that, let's check the bias/opinion
meter now:
- Every music fan under 35 must see Kurt & Courtney.
- If Courtney Love didn't destroy Kurt Cobain's body, she did one helluva
number destroying his spirit.
- MTV are weasels.
- Hank Harrison is an attention-seeking weasel.
- There doesn't seem to be one person in any way related to Kurt or
Courtney who seems remotely trustworthy. At all.
- There are hundreds and probably thousands of weasels capitalizing on
the death of Kurt Cobain, including Courtney Love.
- Courtney Love would make Holden Caulfield roll over in his ice
cream-covered grave.
- Even if he wasn't killed, Kurt Cobain would be dead by 1998.
- From what I've been shown, Courtney Love's ambition knows no bounds.