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Metallica's Reputation Vindicated By Their Live Show

It's been 13 years since the haircuts and the "alternative" Load album, nine years since Lars Ulrich versus Napster and five since the group therapy of the Some Kind Of Monster documentary. That's a long time for the biggest and baddest band in the heavy metal world to be lost in the wilderness, but if Monday night's show at Toronto'...
Live Review
Metallica's James Hetfield (Photo by Carrie Musgrave)

Raveonettes, Black Angels Bring The Noise

Austin, Texas psych rock band The Black Angels were a good match for The Raveonettes on this North American tour, as both groups revel in using lots of reverb and feedback. But while The Raveonettes surround those aspects with melodies and harmonies to create great, compact pop tunes, The Black Angels songs usually tend to drone on a bit too...
Live Review
The Black Angels

Dead Man's Bones Are Thrillingly Alive

Ryan Gosling and Zach Shields shouldn't be good. Their singing voices hover around adequate, their playing is often rudimentary, their songs usually contain one or two solid verses and shouty choruses that can't sustain even a modest three minute single, and their live shows are patchworked, underrehearsed affairs that have the feel of a high...
Live Review
Dead Man's Bones (Photo by Carrie Musgrave)

Echo & The Bunnymen Embrace Their Past

You can say this for Echo & The Bunnymen: They know how to do a tour right. That's to say, it's rather difficult for any of the old '80s British rock bands to do tours these days, let alone ones to promote new material what with people only really wanting to hear the hits and classics. Having just put out new album, The Fountain, they chose...
Live Review
Echo & The Bunnymen (Photo by John Papamarko)

Two Hours Traffic Let Music Do The Talking

Charlottetown's Two Hours Traffic have had one of the most organic rises in Canadian indie rock over the past few years. They've certainly had a lot of lucky breaks — their recording partnership with Joel Plaskett yielded a Polaris Music Prize nomination for their excellent record Little Jabs — but everything has felt like baby steps rather...
Live Review
Two Hours Traffic

Everclear Show Focuses On Second, Third Albums

The Mod Club is poor at letting people know about opening acts and set times on its website and in its advertisements. So when I arrived just after 9 p.m. and was told Tracy Lyons was on stage, Paper Tongues would follow and Everclear wouldn't go on until after 10:30, I beat a retreat across the street to Metro to buy some groceries. Everclear...
Live Review
Everclear (Photo by Steve McLean)

Cuff The Duke Still Winning People Over

Cuff The Duke's first of two nights at Toronto's Horseshoe Tavern on Friday began with a fairly average set from Boys Who Say No. The Toronto country/folk/indie quartet were without their customary banjo, which made their set sound far more indie than country. While their set might have been ordinary, the banter was not. "Fuck you!"...
Live Review
Cuff The Duke's Wayne Petti (File photo by Aviva Cohen)

Paramore Still Fiery Despite Change In Hair Colour

When I arrived at the Kool Haus, Michigan's The Swellers had just taken the stage and the packed crowd was already dripping in energy and excitement. Having recently recruited ex-Sydney member Anto Boros on bass, the added local touch fueled their performance as the band passionately played through some of the most fun punk rock I've witnessed...
Live Review
Paramore's Hayley Williams (Photo by Carrie Musgrave)

Wilco Prove Price Was Right

Bob Barker would have been proud. Wilco walked on stage with the theme music from The Price Is Right filling Toronto's Massey Hall as all three tiers of the aural pleasing venue whooped and hollered. Wilco (the band) began the first of two sold-out shows with "Wilco (The Song)" to warm up the crowd — the entire floor section standing...
Live Review
Wilco's Jeff Tweedy (Photo by Zack Vitiello)

Horrors Show Benefits From Fucked Up Surprise

What a difference a little more than a year makes. In 2007, The Horrors were just another of many hyped U.K. bands — a dime will get you a dozen alleged punk/garage saviours these days — with a one-trick gimmick and a rep for live performances that were either incendiary or, well, too much style over substance. But now? Now, they're making a...
Live Review
The Horrors' Faris Badwan (Photo by Joseph Fuda)

Psychedelic Furs, Happy Mondays Step On Nostalgia Train

A curious pairing of moldy oldies touched down in Toronto this Wednesday night, forging a bridge between new wave and Madchester, and having a lot of fun in doing so. Make no mistake, the combination of The Psychedelic Furs and the Happy Mondays was primarily a nostalgia trip for the thousand or so bodies jammed into the Kool Haus, but cast...
Live Review
Psychedelic Furs' Richard Butler (Photo by John Papamarko)

Priestess Give Fiery Preview Performance

It took a little longer than I'm sure the band would've preferred, but Priestess are finally set to drop their sophomore record, Prior To The Fire. The band held a private release party in Toronto on Wednesday night to celebrate. Record industry politics may have slowed Priestess down in terms of studio output, but the live stage remains the band...
Live Review
Priestess

Gaslight Anthem Shine, But Don't Explode

I hope Broadway Calls fans will forgive me for thinking that meeting a friend for a couple of Ontario microbrews at C'est What was a better way to spend the early part of Tuesday evening than seeing the Oregon pop-punk band. I'm sorry, kids. But the Kool Haus was already pretty full when we arrived a couple of songs into Jesse Malin's set, and I...
Live Review
Gaslight Anthem

Them Crooked Vultures Fail To Deliver

Full disclosure: I worship Dave Grohl and Josh Homme. These guys are automatically included any fantasy band I dream up in my head, and I have gone on record defending some of their less than noble musical outings. No one could have been more excited to see these two musicians — along with fucking John Paul Jones — than I was. Yet, even with this...
Live Review
Them Crooked Vultures' Josh Homme (Photo by Richard Beland)

Kylie Minogue Show Is More Fun Than Madonna Show

Invariably, any North American review of Ms. Kylie Ann Minogue's work — album, concert, video, haute couture — has to include some sort of definitive speculation on why the Australian pop princess has yet to become a cultural force on U.S. or Canadian shores. She's super-huge in the places pop matters (i.e. across the Atlantic), but semi-...
Live Review
Kylie Minogue (Photo by John Papamarko)

Dragonette As Sexy And Sassy As Ever

Life became a dance party as soon as I stepped foot into The Mod Club. The lights went dark and Egyptrixx began spinning some serious European-influenced beats that made it feel like 3 a.m. rather than 7 p.m. and most of the audience hadn't even had their first drink yet. He was a welcome departure from the usual iPod deejay posse, but he wasn...
Live Review
Dragonette

Built To Spill Succeed By Playing What They Want

No one really expected much from Built To Spill leading up to their record release gig at Toronto's Lee's Palace. Although they delivered a pair of the '90s best records in 1997's Perfect From Now On and 1999's Keep It Like A Secret, the new century has not been kind to the Idaho five-piece. Ancient Melodies Of The Future and You In Reverse...
Live Review
Built To Spill

Pop Montreal Warehouse Show Ends In Glorious Near Destruction

As you may have noticed, this year's Pop Montreal coverage at CHARTattack comes with photos. Anyway, new photographer Cindy Lopez and myself took the opportunity to strategize the festival's biggest night while taking in the Montreal Canadiens-Buffalo Sabres game at designated home base Copacabana's. It was an introductory conversation over...
Live Review
Think About Life (Photo by Cindy Lopez)

Japandroids Noise Finishes Pop Montreal Day Three

So it wasn't just me: the mood surrounding this year's Pop Montreal did feel slightly different. The shows were definitely more packed than usual — to the point where not getting into your favourite show seemed a likelihood — and the preconceptions about what an ideal Pop Montreal weekend were vastly changing. If you wanted to have a good time...
Live Review
Japandroids (Photo by Cindy Lopez)

KISS Are Far Less Alive At 35

Three minutes into their first song at the Air Canada Centre on Friday night, the P.A. completely cut out on '70s costumed rockers KISS. With the band seemingly unaware of the technical malfunctions, the quartet kept playing and mugging for the audience as if nothing was wrong. Watching KISS parade around onstage without musical accompaniment...
Live Review
KISS
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