Frida Hyvonen
By
Phil Villeneuve (CHARTattack) February 13, 2007 12:23 pm
Music Review
- Until Death Comes
- Secretly Canadian/Sonic Unyon
- 3.5 / 5

Like
a sort of Swedish Dusty Springfield, Frida Hyvonen is a bodacious white
soul woman who sings from her delicate gut. But Hyvonen has a few
one-ups on her female singer-songwriter predecessors. She writes her
own brutally honest lyrics, produces and plays her own piano (this is a
piano 'n' singer album that features only small blasts of groovy drums
and horns on "Come Another Night" and "N.Y."). She's exposed and
desperate on "Djuna!" and then just as easily becomes a playful sexpot
with the lesbian love song "Valerie" and the harmonic "The Modern."
Until Death Comes is a tight 10-song effort, and Hyvonen was smart to
create it that way. The musically simple and self-indulgent piano
confessionals can be a tad too literal and repetitive, but the majority
of the songs draw the listener in with their curious stories and
melancholy melodies.
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