Modest Mouse — We Were Dead Before The Ship Even Sank
By
Noah Love (CHARTattack) March 20, 2007 7:57 pm
Music Review
- We Were Dead Before The Ship Even Sank
- Epic/Sony BMG
- 3 / 5

Modest
Mouse, even at their least artistic, are still more entertaining than
90 per cent of the acts who rule the charts. We Were Dead Before The
Ship Even Sank takes them even further into the pop world than Good
News For People Who Love Bad News did. So if you gave up on Modest
Mouse when you couldn't reconcile "Ocean Breathes Salty" against "Doin'
The Cockroach," you will find little comfort here. Don't be deceived by
the bombastic yet polished opener, "March Into The Sea." Isaac Brock's
shouty opening verses and Jeremiah Green's monster drumming aren't the
promising precursor you might hope they'd be. The song is one of the
best tracks on the album, and its frantic energy isn't matched on any
of the 13 tracks that come after it — least of all the lead single,
"Dashboard." For all the bad advance press, "Dashboard" isn't really so
terrible; it just feels like a phoned-in radio single. But like so many
songs on the LP, it will get stuck in your head. That's actually the
most prevalent problem with We Were Dead. It's as catchy as crack, but
it has hardly any staying power. "Florida," one of three songs that
features vocal contributions from The Shins' James Mercer, has a chorus
melody you'll hum for days. After a week, though, you'll inevitably say
with disdain, "God, you know what song I can't get out of my head?" On
the plus side, "Parting Of The Sensory" has the same swirling, seething
vocal layers and effects that made The Moon And Antarctica so
engrossing. The slow, rumbling guitars on "Little Motel" and the
twinkling "Fire It Up" serve as welcome breaks from the monotonous
disco beat that carries through the faster tracks. Those songs plus the
dizzying "Steve Engenius" and the aforementioned opener are actually
good enough that they stack up favourably with Modest Mouse's stellar
back catalogue. We Were Dead isn't a total misstep, but it mostly fails
to build on the promise the band who first blurred the lines between
indie and major put forth on their last two records.
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