Timbaland
By
James Simons (CHARTattack) April 4, 2007 9:20 am
Music Review
- Timbaland Presents: Shock Value
- Mosley/Blackground/Interscope/Universal
- 3 / 5

Following
high-profile hits with Justin Timberlake and Nelly Furtado, Shock Value
is Timbaland's big Kanye moment, a chance to change from mere producer
to personality. Unfortunately, Tim lacks Kanye's Carlton Banks
sweaters, Kool Moe Dee shades or any self-deprecating wit and charm.
With an echoing voice, the performer sings like a crappier Nate Dogg
and his raps consist of boring boasts. Nevertheless, Shock Value's mix
of hip-hop, R&B and dance-pop incorporates familiar and foolproof
touches, from snake-rattle rhythms ("Oh Timbaland") to drippy synths
(the FutureSex/Love-sounding Timberlake-assisted "Release"). The only
time things go completely off the rails is when Tim tries his hand at
rock. Mainstream hip-hop musicians often have little taste in honkey
music, which is why so many rappers talk about stealing chains over
crappy Phil Collins samples. Timbaland is no different, inviting emo
whiners Fall Out Boy and new wave revivalists She Wants Revenge to
destroy the record's second half. Despite these shortcomings, Shock
Value is full of the kind of adventurous pop that's made Timbaland one
of the greatest living producers. If only the album's whole could
compete with its many dazzling parts.
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